It’s the Cold, Flu, and Holidaze® Season. That time of year when everything goes BatS#*! Crazy.
Here in APITEland, EduCorp® goes clinically insane trying to squeeze everything in before the end of the year, Holiday Decor in every store months before you want to think about it, Holiday Music everywhere months before the actual season, Black Friday/Cyber Flargsday sales on anything and everything (yeah, I gave in too – more in a second), and the ritual coordinating family and friends for holiday plans whilst trying to keep at least one one eyebrow above water. And December has just started…
One of the things I’ve been doing to keep myself sane over the season is indulging in Audiocasts. I did a bit of pruning over the summer, trying to whittle down what I really enjoyed verses what I was growing tired of, which of course leaves me more ‘room’ for new ones. (like somehow I magically have more time after doing that…)
Saint Ian and Jon Tidey over at The Mastering Show did an episode of their favorite shows, and one of the ones they mentioned that I hadn’t heard of was Project Studio Tea Break (title tie-in!). It’s become a highlight of my listening regimen. 🙂
PSTB, as it’s colloquially called, is Mike Senior and Jon Whitten. Mike should be well-known from Sound On Sound fame (you do read SOS, right?) and as an Audio Engineer, Author, and all-round Font of Knowledge in the Audio Kingdom. Jon is a composer firmly rooted in the theatre and dance community, and brings his unique perspective to the ‘Professional Audio Chitty-Chat Internwebz® Delivery System’ norm. For a ‘Professional Audio Audiocast’ PSTB is light on technical prowess and snobbery, aiming for (ahem) a good poke in the ear towards recording technology, techniques, and the interpersonal relationships everyone in the industry has dealt with.
The odd tip or trick sneaks in every once in a while, but this is not what you’re looking for here. PSTB is as the name implies – a time to take a break and have a cuppa and talk about dumb stuff before the clock starts ticking again. It’s an hour of clearing the fuzz out of your mind – not worrying about why you can’t figure out how to make the snare drum ring disappear or why the backing vocals sound strangely out of tune even though you’ve triple-checked them on every piece of technology you can get your hands on and they all tell you they’re fine. It’s the couple of pints at the pub after a long day nursemaiding a computer, recording, mixing, and hoping the session backs up so you can fix all the mistakes with fresh ears tomorrow. It’s reading about the latest shiny Company X announced that everyone is talking about but you know is complete and utter bullshit and won’t change games or move anything forward except the company’s bank account. It’s the relief of stepping outside after applying a bunch of studio foam with that spray adhesive, or the glorious smell of brand-new silicone-jacketed cabling. It’s a peek inside what your engineer, producer, or musical director is really thinking.
So you can see how this is right in the wheelhouse. But don’t just trust me – click the link above and get caught up (there’s only eight episodes as of this writing) or subscribe in your favorite player. If you’ve spent any time in the musical landscape (and if you’re reading this you have) then you’ll enjoy every moment and look forward to the next monthly fix.
In other news I bought one of the new iPad Pros – the 11” model this time. I know, I know… I kinda trash-talked them a few posts back, but after getting my hands on one I decided it was time to move my 1st-gen on to my brother (who’d better not be reading this since it’s his Christmas present) and get something smaller and…well, better.
From the moment I connected a USB-C Digital AV Multiport Adaptor (stupidly long name here kids) to it and connected the HDMI port to a monitor I could see the future. Having the iPad display big and crisp on an external display is an absolute joy, but instinctively reaching for a mouse or trackpad instead of the screen is just antediluvian IMO. I’m also betting this has to drive the Mothership® Engineers bananas as well, so there’s some Skunkworks iOS version update allowing this just waiting for Phil Schiller to give the okay. And since Apple is still gung-ho about the ‘It’s a computer! It’s a dessert topping!, It’s a floor wax!” moniker (Hat tip to Charles over at Space Javelin for reminding me of this) they have to be looking into this – just having an external display for the GraphicsHeads doesn’t make sense for having this usable by the entire ‘Pro’ market. I guess we’ll see if I’m correct next spring.
I also like the smaller size – it’s easier to hold in my sausage paws and doesn’t feel like I’m doing a workout after 10 minutes. The True Tone display is gorgeous, and it can do true ‘split screen’ apps (unlike the previous smaller versions of the iPads Pro). I’m spoiled by Face ID on the iPhone, so having it here is great (although my sausage thumb always seems to be covering the sensors which it smugly tells me), and the new Pencil is just stupid clever and I like the fact that it rides on the top instead of being lost in the bottom of my bag somewhere.
Oh, and the new NanoStudio 2 has been piquing my interest and looks pretty impressive, so I’m looking forward to trying a true DAW-like experience with in on a mobile device (bleeding edge, yada yada, what about Auria? I get it…)
Lastly, I’ve been compiling the ideas for the ‘Musical Gifts for the 2018 Holidaze® Season’ post (last year’s post here) and that should be out within the next week or so, hopefully leaving me some actual time to spend with the fam over the (actual) Holiday Season.
Until then, stay sane out there!