Banner Picture from: https://commons.wikimedia.org/wiki/File:Jambalaya_1969_Jazz_Funeral_2.jpg
If you’ve lighted over here from over there I welcome you to APITE. I posted the comment on Gearnews before writing this (and besides it’s about time for a new TNSS anyway, right?) so I’m expanding my diatribe from there along with a few updates.
(UPDATE – I posted my comment on Gearnews over 4 hours ago and I just checked – it’s not there. Will erase this update when (and if) it is but you can still read the post in the meantime.)
(UPDATE 2 – It’s 24 hours later and there are new posts there but my comment is still absent. Perhaps it’s my mistake, but pretty positive I hit the submit comment button. Perhaps I’ve struck a nerve?)
Let’s start with (as usual around here) it’s been a while since a TNSS post, because I really haven’t had any issues to report on since the last one. It’s that simple. I’ve had a few snags with various Plugins (and a particularly nasty one from Surreal Machines) – but those were fixed within days and are Plugin issues that we have all had regardless of Platform or Operating System or Processor Type. Bugs happen. Bugs get fixed.
Reaper is out of Beta (Universal App) and still working beautifully. Logic Pro is chugging along swimmingly. Ableton Live? Yep – no issues. Avid is always late to every party, and I don’t really care for Pro Tools (reasons below) so maybe that’s what people are harping on here. But if you are a PT user you have been dealing with this for decades now and it should be no surprise at all so you have nothing to complain about. Maybe Cubase is still a mess (I had endless problems with it on Intel machines – the iOS version is surprisingly rock-solid however).
The only Plugins I’m having issues with are the d16 Group ‘Classic Boxes Collection’ which they acknowledged over a year ago would need major updates, and I’ve found workarounds for those in the meantime if I need those types of sounds. I do believe I’ve talked about this before.
Another reason for my slowness around here is aligned to everything about the linked article at the top – I’m only going to post when I think it’s relevant or useful to the conversation.
And that’s why I’m posting this and why I commented on that article. Go ahead – read it if you haven’t already. I’ll wait…
Notice anything unusual? Were you able to glean any references to the issues noted? I couldn’t! And this is the problem I have with the post – it’s word jambalaya with no references, links, or real usefulness. It’s typical of the FUD (Fear, Uncertainty, Doubt) School of Modern Reporting (not even going to refer to this as Journalism) and MUST GET EYES ON PAGE Webposting. It’s not marked as opinion, it’s not tagged as anything other than just another article.
And it stinks.
I check a lot of Music Pages over java in the morning: KVR, Sonicstate, Matrixsynth, SynthAnatomy, MacOS Audio, and even Gearnews, just to name a few. I used to like Synthtopia years back (not linking it), but I had had enough of their wretched moderation of the Commentariat (not to mention the wretched Commentariat in general) and the propensity for doing the same nonsensical posts like this one above. Bookmark delete – never checked again.
I understand some people do this for a living. You need audience engagement. You need to pay the bills. But at what cost are you making that happen? I’ve seen this kind of ‘reporting’ popping up a lot in the Music Trades as of late (or maybe I’m just now noticing it), but it makes my ‘Betteridge’s Law’ hackles go up and then it just makes me angry because I. Did. Not. Come. To. Your. Site. For. This. Assault. On. Intelligence. I came here for actual information.
If I see it once then I let it slide because maybe it was a slow news day for you. If I see it there again I am never going back to your site because you have accepted this as normal.
APITE is my baby. It’s my opinions and my experiences and I know that yours may be completely different! It’s not perfect and it’s not something I think anyone would want to read on a daily basis, but I do the best I can to present the most accurate info I find. If I mess up I will correct it. All I want to do is present what I encounter so that it might help someone else along the way. That shared knowledge is what makes us all greater in the long run, and is the true intent of ‘The Power of the Interwebz’.
And I want to keep that going. We should all strive to keep that going no matter the genre or interest. Just give us the truth and don’t be afraid to say when you’ve gotten something wrong. Drop these basic tenets and you’ve lost me as a reader. Betting I’m not alone here either…
So Gearnews, I plead with you – keep reporting on the new and cool in the Music Sphere. Show me the ‘Leaks’ that are intriguing, but I know (and you allude) are likely BS. Do in-depth reviews of tools and toys. But please stop doing these inane posts unless you are committed to doing the deep dive into why.
Because there’s just too much crap out there already.
My opinion of Apple’s M-series (Apple Silicon) hardware still stands: it’s the future of the Platform and just run rings around Intel’s processors as of this writing. They are solid computers with absolute minimal issues for all of the Musicware (and software in general) I have installed on both Edsel (Mac mini) and Josephine (MacBook Air). I also test a lot of Beta software, and have yet to see an issue from any of those I’ve tested other than bugs within those programs. My two M1’s are not ‘locked down’ either – I check for updates at least once a week, so they are running current software. As I’ve said many times before, do your research well and always check on a machine that isn’t Mission Critical for your work.
Let me leave you with a some goodness before I go. If you haven’t caught it already, both Audio Damage and ToneBoosters have set some of their ‘legacy’ Plugins free (click the links above for the downloads). AD is Mac-only, but ToneBoosters are cross-platform. For the TB Plugins, click the link above and scroll down to the bottom to the ‘Where can I find older (legacy v3) plugins?’ Text is and click that to access the downloaders. About 70% of the Audio Damage stuff will still run on Apple Silicon mostly Rosetta2) but all of the Tone Boosters Plugins work fine as of MacOS 12.2.1. Nice trend happening here.
Lastly, I’ve been thinking about building a ‘Retrotech’ music computer and might make it a companion to the TNSS series (I’ve even got a silly name for it obvs.). As much as I’d love to go back in time to the heady days of MacOS 8 or 9 and the joys of Opcode’s StudioVision Pro (man, I miss that program), I think it’s going to be more cost-effective to go with something from the last decade or so (mostly for Plugins). For now it’s just a thought, but I like the idea and am actively looking for the hardware. Let me know if it’s something you might be interested in or if I’m just getting Hipsterish in my old age. 🙂
Until next time…